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I assumed simply disliked playing and liked playing . The reason Ford wanted Solo to die is surprisingly very story-driven: youtube.com/shorts/fI4H6Hucp2Y

Gerald So

I disliked 's death in , but from a story standpoint, as expected of a good father, he was leaving himself completely open to his son. Only his son foolishly decided to kill him, but that action and its consequence were dulled by Solo's reappearance in .

As cool as Han sacrificing himself earlier may sound, actors shouldn't decide characters' direction. belong to , not or the . Actors or audience feeling they own characters shows the characters are written well.

I do think and get a sense of who are, and should respect that, but not respect it so much they don't follow through on their own plans for characters.

A hurdle w/ popular who become is eventually they aren't bound by a single writer's plans. The plans are instead hashed out by many writers, giving the final product a good chance of being .

Imagine this conversation:

: I'd like to die sacrificing himself for and 's benefit.

: That's not the story I have in mind.

Whose instinct would you have supported?