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Sumé – Sumut (1973, Greenland)

Our next spotlight is on number 383 on The List, submitted by myself. Sumé was the first Greenlandic rock band in Greenland, making this, their debut, the first rock album released in the Greenlandic language. This language choice and the lyrics sung in that language were a revolutionary political statement. Released just 6 years before a referendum that would gain Greenland home rule and therefore greater autonomy from Denmark, the album would become a key part in Greenland’s fight for independence from Danish rule.

Want to read more? See the full spotlight: 1001otheralbums.com/2025/03/16

Want to skip straight to the music? Here's a Songlink: album.link/ca/i/1777802287

Happy listening.

1001 Other Albums · Sumé – Sumut (1973, Greenland)
More from 1001 Other Albums

Sumé – Sumut (1973, Greenland)

Our next spotlight is on number 383 on The List, submitted by myself (buffyleigh).

As with our last spotlight, I came across this one while specifically searching for cool albums to include in The List. A year later, it remains one of my favourite finds for both the project and, well, ever.

Sumé was the first Greenlandic rock band in Greenland, making Sumut, their debut, to be the first rock album released in the Greenlandic language, i.e., their own language rather than the language of the Danish colonizers. Even without looking into what the lyrics mean, that language choice plus the intense artwork – a reproduction of a 19th century woodcutting by Aron of Kangeq that depicts an Inuit person standing over a Norseman they had just killed – clues the listener into the fact that this album was making a political statement.

In fact the album – released just 6 years before a referendum that would gain Greenland home rule and therefore greater autonomy from Denmark (who had ruled the island since 1814) – would become a key part in Greenland’s fight for independence from Danish rule. The lyrics were revolutionary, presenting the political concerns of the Greenlandic people as well as simply using their own voice and not the skewed (i.e., racist) voice of white colonizers to depict the day-to-day lives of Inuit people. Check out some snippets below:[1]

Track 1 – “Pivfît Nutât” (“New Times”)

I wake up – I’ve been sleeping for a long time
They tell me two and half days have gone by for two and half centuries
I realise that they’re still here
They are here to get rich and to oppress us
Greenland, “The Lands of the People”
You can’t keep sheltering your children from harm
New times have begun
The old days we have left behind

Track 4 – “Tamorassâriat” (“The First Bite of the Seal”)

My father is a great hunter
He arrives with a big catch
Those who want the first bite of the seal rush down to the beach
To get a good treat
The first bite of the seal

Track 7 – “Erĸasûteĸarneĸ” (“Worry”)

Always a colony
Always oppressed
Leadership missing
Makes you blind
Never turn your back and be silent

Track 10 – “Ukiaĸ” (“Spring”)

The Earth, because it’s always spinning
The great day darkens
Nature is transforming
My love is putting on her warm coat

The flower is already getting brown
And I learn that’s the way it is
Like my friend
Without hiding, it becomes the soil

That poor kayak, it loses its skin
Deteriorated by time
Naked, it becomes a skeleton
Its time has come

Track 11 – “Nalunaerasuartaut Toĸuvoĸ” (“The Telegraph is Dead”)

The telegraph is dead
Connection failed
What is happening in the world?
Is there peace out there?

Apparently 20%(!) of Greenland’s entire population bought Sumut. And it’s not that surprising as, apart from the lyrics that inspired the Greenlandic people to take political action, the album sounds damn good. Sumé’s style, fusing psychedelic/prog rock with some traditional Inuit sounds (particularly from drum dances), would have a great impact on future Greenlandic rock, which remains a huge genre in the country.

The band would release two more albums soon after Sumut (Inuit Nunaat in 1974 and a s/t in 1976), and then reunited in 1994 for one last album, Persersume. Twenty years later, following the first reissue of Sumut, Sumé – Mumisitsinerup Nipaa (“Sumé – The Sound of a Revolution“) was released, a 2014 Greenlandic documentary from director Inuk Silis Høegh that celebrates the band, the album, and their impact on Greenlandic history.

Methinks, given *all of this*, it’s a good time to give this album a spin.

  1. English translations aren’t in the liner notes, so these are from Genius. Hopefully they’re correct. ↩︎

Is there a #greenlandic speaker here? Google translate just launched #Kalaallisut, I'm trying it out but the answers look wild? I *think* it is translating danish via english to Kalaallisut, but that is a bizarre decision because there must be many more training data from danish.

I'm now using
nutserut.gl/machine from the official #Greenland govt and it seems to work (ish). The problem is I only have a few words of Greenlandic, so it's hard to be sure.

nutserut.glNutserut - Greenlandic-Danish Machine Translation

I keep thinking about the current prime minister of #Greenland, Múte Bourup Egede. Or more precisely, his given name. Wikipedia transcribes it as [mut͡sːi], but they don't cite any sources. Why is it pronounced that way? Is it even a #Greenlandic name? Greenlandic doesn't use the acute accent now, but it did until 1973. So is the name in the old orthography? If so, the accent would indicate gemination of the following consonant. But whence the affrication? And ‘e’ → [i]? So many questions!

Continued thread

A fantasy for #ConcertBand based on #Greenlandic composer Rasmus Berthelsen’s beloved #Christmas hymn “Guuterput”. The original #hymn blends traditional #Inuit Inukkuut drum songs with the protestant #Christian hymns of #Denmark. Present in this reimagining of the folk song are a chorale style hymn statement, solos for many instruments (particularly #euphonium prominent mallet percussion, and full band chorale singing approximating the portamento and great reverence found in the #Inukkuut style.

Continued thread

I've been following #AviajaLyberthHauptmann for a while but we're never met. Great to see her presenting her work on #microbiology and #fermentation in #Greenland and #Greenlandic #TraditionalFood.
Also part of a #CarlsbergFoundation #science project with collaborators across #indigenous and #feminist studies.
#HindsgavlMeeting is gloriously #multidisciplinary which is one of its strengths. #ForumForArktiskForskning #ArcticResearch